Cheyne Horan tells the story of the Lazor Zap. Part 3

Cheyne Horan's 1980 Hawaiian quiver. pics coutesty of Cheyne Horan
In the period 1979 to 1980 Geoff McCoy and Cheyne Horan were experimenting with the concept of the 'no nose' surfboard. The idea being that if you moved the volume of the foam from the nose to the tail, under the feet the rider, the surfer could execute more radical moves, more quickly without moving his feet around the board.

Cheyne's 1980 Hawaiian quiver were some of the most extreme examples of the 'no nose' concept.

Cheyne Horan tells the story of the Lazor Zap. Part 2

One of the first 'no nose' McCoys. The forerunner to the Lazor Zap. This outline, where the wide point is further down board away from the nose allowed for great maneuverability and set the precedent for the shape of boards to come.

Cheyne Horan further explains the history and philosophy of one of surf histories most overlooked and under appreciated designs, Geoff McCoy's no nose Lazor Zap.

Geoff McCoy had an extremely talented surf team from the early 70’s. They were very experimental in the early days, boards were going all different directions, he was making the modern short boards double ended singles, twin fins, s decks and more, it was a very long and steep learning curve. In the early 70’s Geoff went to Hawaii pursuing greater knowledge. He found amazing success and in the late 70’s he went to USA and everyone there wanted his boards. He made a few for Jeff Hakman in 1976 which Jeff won the Bells Beach contest on, becoming the first international surfer to win an Australian contest. 

Tracks cover courtesy of Laurie Baker
Hawaiian Jeff Hakman was riding a Geoff McCoy designed and shaped board. 
This really strengthened Geoff's perception of how important it was to have an extremely good understanding of everything the surfer wanted out of a board and what needed to go into the board to get the reactions the surfer needed and wanted. 
He was very impressed with how much Jeff new about board design and what worked for him, combining what Geoff McCoy knew and what Jeff Hackman understood they made some great boards together.
Geoff also worked with Australia’s best surfers at that time, along with Hawaiian surfers Barry Kanaiaupuni, Reno Abellira as well as South African great Shaun Tomson. These associations broadened his knowledge of surfboard design giving him an amazing insight into individuals needs on a wave all around the surfing world.
Geoff and I started our process in 1974 and in the early days it was all in Geoff’s hands. The results were fantastic, fast, quick, twitchy, formula 1 surfboards. For many years we used super 8 films, which took 2 weeks to process before we could look at the results, we would slow them down to see what was really happening, how the board was reacting in different parts of the wave. 
Because it was quicker to process what was happening and make instant adjustments to the boards and our surfing, Geoff would also watch me and the other team rider’s surf for hours every day, year in and year out. 
In the period from 76 - 81 we would sit on Geoff’s balcony overlooking the ocean, and talk for hours about boards, board design, surf history, surfers, technique, fins, waves, training, food and everything in life while we mowed down a whole water melon. This became an almost a daily ritual. There was the best combination happening in surfing at the time. MR and Simon were making their own boards, Dane, Buttons and Michael were changing shapers regularly and Geoff and I and the whole McCoy factory were a team. The sprayer the glasser and the whole team were in unison, we were a formula 1 surfboard Team The” McCoy Team”. 
I would like to say thanks again to everyone who helped us and were involved in this whole process, the fun was in doing it, we were focused and making fresh ground for us and for surfing.
These were the golden times of surfing world -wide. 
The whole crew were core surfers and totally pumped to be part of the team, it was the magic days of Avoca Beach.

The way the Lazor Zap came about was that in the late 70's surfers would do a bunch of moves then jump up front to were the area was. 
I wanted to just do moves and not have to move, making it quicker between moves,   to be the fastest surfer alive. 
There was always this small bit of lag time between turns and we needed  to make it less, each move fitted into the other and you didn’t have to move to create speed.
McCoy as the captain of the engine room came up with the idea of bringing the forward area back under my feet, so I didn’t need to shuffle forward onto it. 
This was a monumental breakthrough as all boards today use the similar concept, with a wider tail then the nose. Thus, technically, everyone is riding a lazor zap. 
Then putting curves and straights near my feet and stance to create speed and turning. This quickened my reaction time and there was very little shuffling forward only when I needed a long arc would I move forward. Boards with V would clunk from side to side and stay over longer then you wanted them to, McCoy created a roll allowing the board to roll side to side and forward and back with much more ease.
He called this concept the Loaded Dome, it offered greater speed, quicker reaction time as well as much more control to the surfer.
The narrower nose was key. We pushed this design concept to the extreme with boards in half inch increments at a time. With the roll, the board was much easier to get vertical and surf in extreme positions on a wave, and at this time these boards could snap back inside the tube in a part of the wave where it was vertical, hard and pitching. This allowed me to find new areas of the wave and be able to turn with control.
 People with self interests and agendas who controlled the surf media at that time were saying it wouldn’t work because you need the area forward to step up and go fast. But we knew we were onto something good and went our own direction, alone, surfing were no surfer  had gone before.
This was an extremely exciting time for me as my desires on how to surf a wave became a reality.
These boards freed my mind.
This allowed me to fully explore new boundaries with my surfing and how a wave could be ridden with much more freedom and control. This approach eventually evolved into the modern surfing that is done to this day.
Have a good Surf
Cheyne Horan

pics courtesy of Cheyne Horan 

Swallow tail with rolled bottom into Vee with double flyer, flutes and a tucked under edge with the original fin

The loaded dome principle 


Monday August 6, 6-10pm
Jimmy Buffett's at the Beachcomber, Waikiki 

Join Hawaii's leading surf afficionado Randy Rarick, for an encore presentation of the best of the Hawaiian Islands Vintage Surf Auction, to be held at the Honolulu Surfing Museum at Jimmy Buffett's at the Beachcomber, in Waikiki, Monday August 6.

Doors open at 6:00pm with photo opportunities with Mermaid Kariel.  Movie starts at 7:00pm, intermission and prize drawing at 8:00pm, second half starts at 9:00pm. The event is a fund raiser for the Surfing Heritage Foundation and will also offer a preview to the 2013 "California Gold" Vintage Surf Auction. 

This film presentation features two hours of fully edited footage, action, images and interviews from the historic surf auction Rarick curated last summer. Among those featured are Greg Noll, Bob McTavish, Corky Carroll, Lance Carson, and Dick Brewer. (See full event poster below.)

A $5 entry donation is recommended but not required, and enters you in the draw to win a classic "Big Wednesday" Bear surfboard, along with other giveaways from Quiksilver Waterman Collection